SIDE SALAD - Everything crunchy is good.

'IT KEEPS NOT COMING
AND NOT COMING'

Great NYT article this weekend on the Guns N' Roses album that was never finished. [Link]
This just in: Singer Axl Rose is a tad unstable. So is his guitarist, a guy named Buckethead who plays while wearing a mannequin mask and a KFC bucket on his head. (In fairness, I used to work like this as well, but stopped after I got to the point that I felt the chicken container limited what I could achieve as an artist.)
Oh, and it appears Axl's a little loose with the wallet:

The crew rented one piece of specialized equipment, for example, for more than two years - at a cost well into six figures - and used it for perhaps 30 days, according to one person involved with the production.

Mr. Rose appeared sporadically, some weeks just one or two days, some weeks not at all. "It was unorganized chaos," the same person said. "There was never a system to this. And in between, there were always parties to go to, different computers Axl was trying out or buying. There were times when we didn't record things for weeks."

So the studio technicians burned as many as five CD's per week with various mixes of different songs, which were driven to Malibu for Mr. Rose to study. The band's archive of recorded material swelled to include more than 1,000 digital audio tapes and other media, according to people who were there at the time, all elaborately labeled to chart the progress of songs. "It was like the Library of Congress in there," said one production expert who spent time on the album there.

By one count, the band kept roughly 20 songs it considered on the A list and another 40 or so in various stages of completion on the B list.

Then there's this great tidbit:

At about 4 a.m on New Year's Day 2001, at the House of Blues in Las Vegas, he and the new lineup of the band finally unveiled some of their new material. "I have traversed a treacherous sea of horrors to be with you here tonight," Mr. Rose told the crowd, which received him with roars of approval. Warm reviews followed. Making the most of the moment, he took his band on the road, going to Brazil to play in the Rock in Rio festival.

With the band's return, Mr. Rose's machinery cranked up again. One internal cost analysis from the period pegs the operation's monthly tab at a staggering $244,000. It included more than $50,000 in studio time at the Village, a more modern studio where Mr. Baker had moved the band. It also included a combined payroll for seven band members that exceeded $62,000, with the star players earning roughly $11,000 each. Guitar technicians earned about $6,000 per month, while the album's main engineer was paid $14,000 per month and a recording software engineer was paid $25,000 a month, the document stated.

Label executives were losing patience. Interscope turned to Mr. Zutaut, the original band's talent scout. Could an old friend succeed where so many others had failed? He was offered a roughly 30 percent bonus, he said, if he could usher the project to completion within a year.

But Mr. Rose's renewed energies were not being directed toward the finish line. He had the crew send him CD's almost daily, sometimes with 16 or more takes of a musician performing his part of a single song. He accompanied Buckethead on a jaunt to Disneyland when the guitarist was drifting toward quitting, several people involved recalled; then Buckethead announced he would be more comfortable working inside a chicken coop, so one was built for him in the studio, from wood planks and chicken wire.
Posted by Jeff at March 7, 2005 07:55 AM